![]() ![]() ![]() No longer would a painting pretend to be a window to another world. Piet Mondrian, a central proponent of De Stijl, adopted pure abstraction, promoted dynamic tension across the canvas surface, and emphasized the flatness of the picture plane. Additionally, artists primarily used the most foundational shapes and forms on horizontal and vertical planes. The Dutch De Stijl art movement, which originated in the Netherlands in 1917, focused on the fundamentals of creating art by sticking to primary colors, including only blacks and whites. The “Homage to the Square” paintings (1949-76) of Josef Albers, a former teacher at the Bauhaus, used arrangements of squares within squares in which pictorial depth was an illusion based on color contrasts of the squares. As an art school, it explored various minimalist painting ideas, crafts, design, and later architecture, focusing on ideas of functionality versus aesthetics. The Bauhaus movement originated in Germany in 1919. Other art movements like Bauhaus and De Stijl influenced minimalist artists, especially when works from these movements were exhibited in New York. Influences of Minimalist Artĭutch Abstract suprematism composition on beige, square flat illustration The show included works by Dan Flavin, Sol LeWitt, Robert Morris, Carl Andre, and Donald Judd, who presented geometric and formally reductive artworks.īy the end of the 1970s, Minimalism had triumphed in America and Europe through a combination of forces, including museum curators, art dealers, and publications, plus new systems of private and government patronage. It was the first American museum to present this art style, and the exhibition received great critical acclaim for introducing a new visual lexicon to the Western art canon. One of the main events that established Minimalism Art was the 1966 Primary Structures exhibition at the Jewish Museum in New York. All three groups had pioneered new definitions of the visual arts by going far beyond traditional painting and sculpture and calling for a new kind of geometric abstraction. Works by members of the Dutch De Stijl group, the Russian Constructivists, and the German Bauhaus were shown in New York City museums and galleries at the time. Still, they were drifting from it toward new directions inspired by a freshened knowledge of recent European art. In New York City in the mid-1950s, young artists like Donald Judd, Robert Morris, and Dan Flavin painted in the dominant Abstract Expressionist style. Thus creating a new movement that rejected modernism and commanded a new approach to art forms. A wave of new influences and rediscovered styles led younger artists to question conventional boundaries between various media. Minimalism emerged in New York in the early 1960s among artists who self-consciously renounced art they thought had become stale and academic. The art style challenges preconceived notions of what art is and could be and commands the audience to view the artwork for what it is.įrank Stella was considered a founder of the Minimalist art movement. Minimalism is described as an extreme type of abstract art that usually is depicted through simplistic geometric shapes and hard edges, all while exposing the essence of the geometric forms and materials used.
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